玛拉玛

• 正片

  超次元

  洼冢洋介,松田龙平,千原浩史,芋生悠,东出昌大,涩川清彦

• 正片

  玛拉玛

  Ariāna,Osborne,托比·斯蒂芬斯,乌米·迈尔斯,Evelyn,Towersey,埃罗尔·尚德

• 正片

  异端2024

  Anneke,Sluiters,Len,Leo,Vincent,雷豪特·比瑟马克,Nola,Elvis,Kemper,Marc,Eikelenboom,Nina,Fokker,Sam,Post,Vincent,van,den,Broek,Nikita,van,der,Linden,Tilo,van,Driel,Léon,van,Waas,Joy,Verberk,Easy,May,Walker

• 正片

  幕末传新解

  室毅,佐藤二朗,广濑爱丽丝,岩田刚典,矢本悠马,松山研一,染谷将太,胜地凉,仓悠贵,山下美月,贺来贤人,小手伸也,高桥克实,市村正亲,渡部笃郎,山田孝之

• 正片

  蓝色电影2025

  基隆·摩尔,里德·伯尼

• 正片

  花痴叔历险记

  Lalit,Prabhakar

• 更新至01集

  风，带有香气

  见上爱,上坂树里,水野美纪,早坂美海,小林隆,,

• 正片

  超次元

  洼冢洋介,松田龙平,千原浩史,芋生悠,东出昌大,涩川清彦

• 正片

  玛拉玛

  Ariāna,Osborne,托比·斯蒂芬斯,乌米·迈尔斯,Evelyn,Towersey,埃罗尔·尚德

• 正片

  异端2024

  Anneke,Sluiters,Len,Leo,Vincent,雷豪特·比瑟马克,Nola,Elvis,Kemper,Marc,Eikelenboom,Nina,Fokker,Sam,Post,Vincent,van,den,Broek,Nikita,van,der,Linden,Tilo,van,Driel,Léon,van,Waas,Joy,Verberk,Easy,May,Walker

• 正片

  幕末传新解

  室毅,佐藤二朗,广濑爱丽丝,岩田刚典,矢本悠马,松山研一,染谷将太,胜地凉,仓悠贵,山下美月,贺来贤人,小手伸也,高桥克实,市村正亲,渡部笃郎,山田孝之

• 正片

  蓝色电影2025

  基隆·摩尔,里德·伯尼

　Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home.　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread.　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.　Taratoa Stappard’s brooding debut feature plunges us into the dour moors of 1859 North Yorkshire, where the British Empire’s reach casts long and twisted shadows. Mary Stevens (Ariāna Osborne), a young Māori teacher from Aotearoa (New Zealand), arrives in search of family truths, only to find the man who summoned her already dead and no clear path home.　　Stranded in an unfamiliar and unwelcoming land, Mary accepts work at Hawkser Manor under the seemingly benevolent Sir Nathaniel Cole (Toby Stephens), a wealthy landowner who made his fortune as a South Seas whaler. But within the manor’s cold stone walls — where stolen Māori taonga line the shelves and ancestral whispers echo through dark corridors — Mary’s unease curdles into dread.　　Haunted by visions and memories that are not her own, she begins to unravel a horrifying truth. As the sinister nature of Cole’s intentions comes into focus, Mārama transforms into a blood-tinged reckoning that never shies from the grotesque. What begins as a search for identity becomes a fight for freedom, dignity, and spiritual survival.